a setting both energizing and contemplative, bulls'-eye and tall arched windows soar toward the twenty-two-foot ceiling where an entablature painting of marble, stone and sky rendered by artisan Suzanne Morriss contributes architectural appeal.
"I call it my game of friction, tension keeps the motion alive. It's that pull and tug, that interplay. It's the satin with the velvet, the usual position with the unusual placement, the expected with the unexpected. This visual dimension is what keeps things interesting."
- Kelly Gale Amen
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